Free PDF Scandals of Classic Hollywood: Sex, Deviance, and Drama from the Golden Age of American Cinema, by Anne Helen Petersen
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Scandals of Classic Hollywood: Sex, Deviance, and Drama from the Golden Age of American Cinema, by Anne Helen Petersen
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Review
“Engaging…Petersen is an author for our age.” –The Boston Globe“Insightful.” –TIME Magazine“Clear and convincing…Although Petersen's book benefits from intelligent analysis of archival research, she writes with the verve of an enthusiast.” –LA Times“Terrific and thoughtful and fascinating.” –NPR’s Pop Culture Happy Hour“Smart, relevant, and fun…think TMZ with a PhD.” –Bitch “Compulsively readable.” –The Rumpus“Compulsively readable…[Petersen] sheds light on often-repeated myths with impeccable research and razor-sharp analysis.” –Yahoo“[This] dishy book delivers the juicy anecdotes readers crave.” –NY Post“Dishy as hell.” –Refinery29“Not merely a rehash of salacious old Hollywood gossip, Petersen revivifies flattened images of Hollywood icons…Wide-ranging and surprisingly thoughtful.” –Kirkus“Brisk and lively.” –Library Journal
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About the Author
Anne Helen Petersen received her Ph.D. in media studies from the University of Texas, where she studied the industrial history of the gossip industry. After teaching in the university setting for several years, she transitioned to full-time feature writing, most recently with BuzzFeed. Her work has appeared in The Believer, The Awl, The Hairpin, Laptham’s Quarterly, The Baffler, Pacific Standard, The Guardian, Los Angeles Review of Books, and Virginia Quarterly Review.
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Product details
Paperback: 304 pages
Publisher: Plume (September 30, 2014)
Language: English
ISBN-10: 014218067X
ISBN-13: 978-0142180679
Product Dimensions:
5.3 x 0.7 x 8 inches
Shipping Weight: 9.1 ounces (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
86 customer reviews
Amazon Best Sellers Rank:
#182,749 in Books (See Top 100 in Books)
I was a big fan of Anne Helen Petersen's Hairpin blog column by the same name, so I was excited to read the book, and I was not disappointed! She uses each chapter to address a particular celebrity, their rise to fame, the scandal(s) they were famous for (or had effectively swept under the rug by the studios) and what that says about American culture at the time. She strikes a perfect balance between juicy detail and genuine analysis of the material, and the end result is page-turning without being fluffy.I enjoyed the book so much I bought a copy for my movie-buff father, and he enjoyed it enough to recommend it to others as well.
The title is a bit of a misnomer. What Peterson does here, and beautifully, is look at the image making machine of a bygone era. She's very savvy and as a longtime Garland fan I didn't expect to learn much new. And did I? One very telling thing. Every one is aware that Garland's diet was strictly supervised by the studio, but I had assumed this was information that was confidential at the time it occurred. I did not realize that her dieting struggles were so public, and that this information was passed out by the studio. Peterson understands the gossip industry as if she were on the inside, and as a result gave me a new perspective on an old perception.Also, Peterson doesn't play around with the facts. Where there is doubt about something, she doesn't hedge about the fact. She doesn't claim to know everything, and is therefore a lot more trustworthy than whose who do. Plus, she's very respectful of those she writes about.Salacious scandal? You won't find much here. A very insightful look at how stars of a past era were marketed and sold, and how this affected their psyches? It's on every page.
Nothing new here, really. Tries for a different perspective, from the point of view of how the studios tried to manage things (including stars personal lives), but doesn't stick with this and mostly sounds like the usual compendium of gossip. I must say that the section on Dorothy Dandridge was very welcome; most folks these days don't even know her name, which is sad. Worth a read but this selection should be priced lower.
Very interesting material but badly in need of an editor.
I am a huge fan of this feature on The Hairpin and in general of Anne Helen Petersen's academic work on celebrity. There was some really fascinating content in here – I'm not even a huge classic movie fan but am so fascinated at the machinations of the studios and how they built and tore down personas. I found myself doing more research on these fascinating figures. That said, it was kind of a dry read and had some repetitive phrases. I may sound like an idiot for saying this, but I wish it had pictures (I'm spoiled on the blog posts). All and all I enjoyed it and hope this is the first of many books to come by this author.
This book was a lot of fun, but I can't say that I learned much that I didn't already know. I've always enjoyed social history, and that includes tales of Hollywood so most of this book was old news. I also felt that there were details that were left out on many of these actors and actresses. For someone who has less knowledge, it is certainly worth a read. It's entertaining and even somewhat titillating.
Since this is mostly going to be about what went wrong for me with this book, let me start by saying: It's good! Buy it! I'm glad I did. Having said that...I've been waiting for this book for six months--thus, like any Hollywood movie, it was bound to struggle to live up to the anticipation. Don't get me wrong; for any lover of classic hollywood, this is a good read, and I'd probably have loved it if I hadn't been devouring Anne Helen Peterson's online articles--whether through Hairpin, Buzzfeed, her blog, or other media--for a couple years now. But I have and therein, I think, lies the slight disappointment with the book.While the promos promise the chapters are not repeats of the Hairpin articles, that is a bit disingenuous. The articles aren't transplanted verbatim, but many of the stories (Fatty Arbuckle, Clara Bow Dorothy Dandridge, Montgomery Clift, and others) are repeats and cover familiar territory.Still, a good story is always worth rehearing. What I miss most in the book is the lively, irreverent, voice Peterson uses in her online pieces, which often read like a personal email to you, the reader. SHE IS FUNNY. Her side remarks on Hollywood hypocrisy and comments on the plethora of images that populate her online text are vastly entertaining and sadly missing in this textRead this comment on a still of Lana Turner in a turban from the Postman Always Rings Twice:"I mean, THIS IS IT, right? Like there's no need for another seduction scene ever? And the high-waisted white shorts and the knotted crop top ... does Urban Outfitters carry those in my size? Can someone teach me how to make my towel topknot look like that? Do I need to live in the South, seduce some guy who comes to the diner owned by my old boring husband, and get him to kill said husband? "Isn't that great? Doesn't it make you want to just hang with her, watching old movies and debating whether Joseph Cotton or Melvyn Douglas would be better movie star boyfriends?Unfortunately, there's too little of that in the book. While it's not academic, one can feel the influence and the self-restraint (believe me, I've written enough deadly literary analyses myself to know). There is an occasional glimmer of the old style, as in this sly comment on Marlon Brando's engagement: "And as she [his fiancee] told the press, she didn't love Brando because he was a star, but as a man like any other. Plus, she was a 'sloppy dresser' with 'odd manners,' and the two had first met at his analyst's office--clearly, they were meant for each other."I snorted latte out my nose at that one, and it made long even more for the AHP of Hairpin.Now, it's doubtless a monetary/copyright thing, but there's also an odd dearth of photographs--especially in the Kindle version that I read, which delegates the few images to the back of the book, where I only found them after I'd finished reading. A good part of the power in her online writing lies in the plethora accompanying imagery, whether movie stills, shots of gossip mags or whatever. They not only allow the reader to visualize the commentary, but also engage in the analysis with AHP. Plus, as I said, her comments on the images are darned funny. That interaction is lacking in the bookNevertheless it says something that I started reading this Tuesday night, and finished by 11 am the next morning. And that I'm actually bothering to write a review, which I don't usually do. It's a good and enjoyable read. AHP has really carved a niche for herself in her analysis of Hollywood semiotics and what it means for the rest of us. She takes gossip and makes it "respectable."
Petersen's joy for her subject shines through on every page; it feels like a gossip session at a slumber party. This is a warm, witty look at some of the greats. She manages to be affectionate and generous throughout, too: this is friendly gossip that's never malicious, flavored with sociological analysis and full of insight.The book is mostly new material; even those who have read her column on The Hairpin will find something they like here.
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